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剧情简介
《不安》Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
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热门短评
网友短评 · 220 人在当今各种影视类型泛滥的时代，《不安》无疑是一股独特的清流。它没有华丽的特效，没有狗血的剧情，却以其深邃的内涵和细腻的情感触动人心。它探讨了人类内心深处的恐惧和不安，让我们在观看的同时也能反思自己的生活。从叙事结构上看，它层层递进，引导观众逐步深入故事核心。每一个画面、每一句台词都有着深刻的意义，值得反复品味。
当我点开《不安》的那一刻，就仿佛被卷入了一个充满迷雾的世界。剧中那压抑的场景、复杂的人物关系，都让我感受到了深深的不安。主角们在困境中不断地摸索前行，然而每一次的尝试都像是撞在了无形的墙上。这种无力感通过演员们精湛的表演传递到了我的心中，让我不禁为他们的命运捏一把汗。随着剧情的推进，各种意想不到的转折让我应接不暇。《不安》不仅仅是一部剧，更是一次对心灵的洗礼。
《不安》简直就是一场灾难！剧情混乱不堪，人物形象也十分模糊。感觉导演就是在故意营造一种所谓的“不安”氛围，却完全忽略了剧情的逻辑性。演员的表演也缺乏深度，表情要么过于夸张，要么毫无感染力。还有那莫名其妙的结局，让人一头雾水。真不知道这样的剧是怎么制作出来的，浪费了我这么多时间！
被朋友安利来看的，说实话没太看懂。画面挺美的，音乐也不错，但剧情有点散，看到一半差点睡着。可能不适合我这种喜欢快节奏的人吧。
嘿，家人们，一定要去看《不安》！这剧就像一颗定时炸弹，不知道什么时候就会爆炸，给你带来意想不到的惊喜。从剧情到表演，再到画面，每一个环节都无可挑剔。演员们那精湛的演技，把角色的不安演绎得活灵活现，仿佛就站在我们身边。快冲，绝对不亏！
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